“How to Write a Mystery” Book Review

Seeking to improve my skills, I ordered a copy of How to Write a Mystery, edited by Lee Child. At first glance, anyone who enjoys a whodunit would get a little excited. Some 70 authors were invited by the Mystery Writers of America to contribute, and I was eager to absorb their wisdom.

A few reasons for my interest. First, my ongoing Call of Cthulhu game. Surely developmental ideas from fellow authors could transition to the TTRPG scene quite nicely. Second, mystery knows no real bounds. The Robots of Dawn by Isaac Asimov is an example of a sci-fi mystery, while the entire Harry Potter series is such in the trappings of magical fantasy. Even the super hero genre benefits. Batman: The Long Halloween is an excellent tale, a puzzling series of murders still discussed and analyzed today.

Coming from some professional experience, I envisioned trying a few new methodologies or perhaps adding a fresh frame of mind to the tacklebox. Unfortunately, How to Write a Mystery wasn’t exactly what I sought.

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Artificial Aesthetic

“At long last!” self-published authors declare, deviously twirling their evil mustaches. “Thank to the power of artificial intelligence, I no longer have to pay a premium for beautiful cover art!”

Okay, I’m embellishing that. Still, it’s hard to ignore the zeitgeist. Last month, social media was inundated with image after beautiful image. Reddit and Facebook briefly became digital art museums of the information age before mods cracked down on the deluge. The situation was not lost on Ars Technica.

The art flood has slowed or stopped, but uncertainty remains. We finally live in a time where something gorgeous and one-of-a-kind can be mass produced faster than toilet paper during an epidemic. Still, why take my word on the matter when you can try it yourself?

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June Skullduggery

Pride month is here, and unfortunately I’m spending most of it at home, entertaining guests and taking care of household needs. Next month holds bigger plans, including a wedding and even a beach getaway. June is my month to prepare.

And preparing I am. For those who don’t know, I became a parent almost five months ago. This prompted thoughts as to how my own parents could have done more for their health. So I’ve put myself on a dieting and exercise regime to get the weight down. A routine that involves an hour on the treadmill for four days a week, usually coupled with almost an hour of calisthenics and weight lifting.

I’ve been at it for about a month now. Aside from weight loss, some extra muscle is really helpful. There’s always something heavy to be lifted, be it the baby carrier, stroller, or additional bags. It could come in handy next year when I return to fan conventions, and have to lug all those extra books to the booths…

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Clappin’ the Book Slappers

If you have this thing called the interweb, you may have been exposed to virulent contagions known as “memes.” To date, the CDC has no known procedure for handling exposure to these infectious buggers, but one particular strain is on my mind.

Book slappers.

Yes, book slappers. The fictitious job in which a literary snob would strike a movie director with a printed novel, or perhaps a very durable e-reader, for the audacity of possessing creativity. As if movie studios exist for the express purpose of selling novels. Because many claim “the book is always better than the movie.”

Is it really? Are books always better than movies? Or are we justifying the many hours a novel requires against the runtime of a full-length film? Not unlike how we merely think expensive wines taste better?

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Paired Writing Techniques

The year is 202X. Technology and progress have advanced to such a point that two nerds can get together and create poetry from thousands of miles apart. What a time to be alive!

While solo writing will always be the norm, it’s easier and more reasonable to share the experience with co-writers than ever. The Expanse, a recent book-turned-television series phenomenon, is actually a team effort by Daniel Abraham and Ty Franck under the pseudonym James S.A. Corey. The San Cicaro series is no stranger to paired writing either. While working on Beasts of San Cicaro and Decades of San Cicaro (which is out this week by the way), Andrew and I got together to create the misadventures of one Olivia Murphy, the book series’ new hostess.

“By why?” the naysayers scream. “Why would I share writing credit with anyone? The glory is mine alone! There can be only one!

Eaaaaaasy Highlander… I can think of three good reasons.

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Genre “Experience”

Sooner or later, everyone in the biz is going to hear it. “But you’ve never done [genre/topic] before!”

For some reason, audiences get this ludicrous idea that writers, musicians and yeah, even artists, should “stay in their lane” regarding what they produce. I can’t say why this is the pervading wisdom, but being asked these questions feels like a job interview against (not with) an obstinate hiring manager.

I too have experienced turbulence when I made the transition from contemporary horror to low-fantasy. And again while introducing those familiar with my tie-in fiction to my original work. I’m not the only one. Other franchise writers have been miffed when their debut homebrew fails to make a splash, despite being published traditionally. Friend Manuel has faced similar problems as a graphic designer, for no other reason than never having worked with a particular product before.

As if new folks can’t or shouldn’t break into the field in question.

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Writer vs Editor

It’s been… a long time since I’ve written anything here. Perhaps four years plus interest. Originally I shut this blog down to focus on Thunderbird Studios. Things change, and here I am again. Doing my own thing. Focusing on just writing once more.

My tenure as editor ends after this month. The forthcoming Decades of San Cicaro will likely be the last time I serve in this capacity for the foreseeable future.

I’ve learned so much from editing, but I don’t enjoy who it made me become. As an editor, you train yourself to seek weakness in other people’s work. To catch errors and faults, to strengthen prose and fill plot holes. Yet every changed line left me wondering if it was right or fair. Where was the boundary between their words and my own? Editing even erodes one’s ability to enjoy reading for the sake of entertainment. I found myself seeing problems in media I once adored.

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Production Blues

Work calls and my head is just not in the game. Too much is going on this week, so perhaps a few paragraphs might take my mind off matters.

As of this blog, I am getting closer to the final touches on two anthologies. Both are due out in roughly a month. The first, Welcome to San Cicaro, is an urban fantasy and horror anthology written by authors besides me. Yep, I’ve taken the job as “just editor” on this one. The other anthology, Banner Saga: Tales from the Caravan, is one story from being finished with edits. Because it’s intended as a collection of shorter Banner Saga works, a few pieces of mine will be a part of that one.

The next few months will be critical. I’ve been jotting down ideas, some of which are for team-based projects that other writers and artists maybe invited to. Others are for personal novels or works I’ve been dreaming about for a long, long time… and put off.

The latter point is interesting to me. Nothing I’ve ever done has been 100% mine alone. The Bolthole anthologies, The Gift of Hadrborgand the aforementioned upcoming releases… they’ve all either leaned on others or have involved a franchise. And I feel I know why that is.

One of my biggest fears is to finally hit that degree of success, only to be defined solely by that one win. I dread the thought of writing dozens of novels around the same character, never visiting a hundred other minds in scores of unique settings. To never wear a thousand masks and live a thousand lives.

I don’t understand authors who are happy with revisiting the characters, again and again. I’m fine with it for a while, perhaps with one sequel. But so repeatedly? When is one satisfied? But who am I to judge. I can’t say I’ll know satisfaction after completing my own dreams. Perhaps I too will not know happiness in creation, and know not whether I seek an elusive magnum opus or pray that it is illusive.

Oh. Yeah. And we’re closing on a house tomorrow.

Lean, Mean 2018

2018 certainly started right.

Late last year, Manuel, Andrew and I were talking about new projects for Thunderbird Studios. I pitched a few ideas, but also sent them the first half of a short story I’ve been struggling with. Yet Andrew and Manuel were excited enough for the tale that we swept almost all other projects off the table to work on a comic book for it.

Yesterday, a few hours of New Year’s Eve were spent finishing a 16-page long script. And today, the second draft. Manuel, our artist, received it this afternoon with the intention of printing, reading and returning revisions.

It might sound strange for an artist to do this, but here’s the thing. Writing a comic book script can be anything between writing and writing/graphic design. Pages have to be written with an idea of how many panels they’ll involve. We have to consider how much space is needed not just to show (rather than tell) the story, but also for speech balloons, sound effects and narration.

“Show don’t tell” is generally good advice for novice writers of novels and short stories, yet there are limits. For example, the difference between telling and showing could be the difference of one or two narrative sentences versus three to five additional paragraphs, pages… or even entire chapters.

So the question becomes whether or not the information conveyed in those brief sentences is worth:

  1. The extra time for the writer to produce the new content.
  2. The cost for the editor to check the extra material.
  3. The increased price of formatting the expanded manuscript.
  4. The expenses of printing them (physical copy only).
  5. The reader’s time to read it.

That last point is actually the most important. If that new content entertains readers, the combined effort of all the prior steps is likely validated. If not, then everyone’s time and money was wasted. If you need proof to believe me, try reading The Girl Who Kicked the Hornet’s Nest by Stieg Larsson. Or even just reading the comments and reviews.

Being pedantic can be a writer’s sin.

With comics, the problem can actually be reversed. The “show” aspect is naturally handled through the art. You can even tell a tale that intrigues readers’ speculations by removing all dialogue and narration. The Darkest Dungeon comics (online and free) are really good about this.

But when you want to confirm needed details or convey aspects of the world that are beyond the scope of the story, actually telling the story can be the way to go. It would be quite the challenge (not to mention expense) to draw everything.

As I’m finally getting back into the swing of writing, I’m hoping to be able to handle all revisions on the script, then fire and forget it. This may sound optimistic but part of my problem is that things keep “bubbling back” and grabbing my ankle. I end up getting pulled into many small issues that need work, affecting other projects.

Lately I’m trying to solve these issues by focusing on shorter works. While comics take about the same amount of time as short stories, novellas are considerably faster than novels. They’re also easier. Usually I find myself staring at a novel synopsis and scratching out entire sections that are nothing but “filler.” Or if they don’t fulfill two of the following three needs:

  1. Developing characters
  2. Advancing plot
  3. Expanding the world

I actually sat down and took a hard look at the math on novellas on Amazon’s sites. With e-books, it actually makes great sense. In print, it’s certainly possible although the extended distribution options can force prices above what I feel comfortable charging. But after taking a quick look at my well-selling novel, I noticed that extremely few of my sales come from those channels.

Let’s see what the new year brings…

New York 2016 (Part 2)

old-brooklyn-bagel-shoppeSaturday brought with it colder temperatures. While such chill might have called for a warmer meal, we decided to begin our day with a traditional N.Y. bagel. Courtesy the recommendation of family friend Kathryn, we stopped at the Old Brooklyn Bagel Shoppe.

Suffice to say, I was not expecting to have the best bagel of my adult life.

It’s difficult to explain exactly why the bread was so good. It was soft, but it also had a kind of heartiness that is difficult to replicate even among master bakers. But when I inquired, I was told it was just a regular New York bagel.

“It’s something about the water,” Cassie said.

I got curious enough to take a quick look around about the secret. According to an article from NPR, the calcium and magnesium in the water is a factor, but the primary reason they’re so good is by boiling the bagel before baking it in the oven. I have doubts however. The quality of these bagels would decimate rival businesses in the south. And although I’ve witnessed the bakers at Einstein Brother’s in D.C. boiling their bagels in a large vat, they still weren’t nearly as good as this.

A change in manufacturing techniques is easy enough to apply. Shipping large quantities of hard water akin to that of New York? Not so much. Geography and economics, man. There’s a reason you don’t grow bananas in the north.

Another subway trip sent us over the East River and into Manhattan. My words, the ones I did not know at the time would initiate this trip, were how much I’ve always wanted to see the city during Christmas. And although I desire to tour more of Brooklyn and the Bronx someday, Manhattan was undoubtedly the place to be for the seasonal festivities.

The nearby department stores held arrays of knick knacks and household items that were oddly unique compared to the wares in Washington. We wandered not one but two separate market spaces, where holiday gifts were acquired and sights beheld. During a search for a restroom, I accidentally blundered into Eataly (pictured above on the right), a vast space of Italian restaurants and stores, where we procured specialty olive oils and salts as presents for the people in our life who usually have everything.

When we returned to the streets, a thought crossed my mind. I couldn’t help but ponder what condition the soil and earth was like, far below the many layers of of cement and asphalt. I don’t know why I considered this. Perhaps it was simply from looking at Manhattan both on a map and the street. While the district is technically an island, the city has developed over the northern bodies of water that make it so. Thus the metropolis itself could be considered a peninsula, while the topographic location is not.

I pondered the economic realities of this. The cost of living here, the price paid for every truck delivering food, medical supplies, clothing. The infrastructure for providing potable water, fuel, electricity and high-speed cable. The every day needs of approximately 1,626,000 people. People divorced from the simple mundanities of grass, hills and fields. Far from forests and greenery, mountains and deserts. And employment. How could they all possibly find jobs here? Could there truly be that many opportunities in this jungle of concrete and steel? With so many occupations being automated more and more often, it seemed… unfathomable.

This line of thought was lost over a later lunch at 5 Napkin Burger on 9th. Cassie had dined at the restaurant some years ago, and since then it has expanded to the cusp of becoming a full chain, with four locations across New York and a fifth in Boston. Sitting down I could see why. The burgers were thick and the ingredients (gruyere and French onions) savory and memorable, satisfying in the way only a fine hamburger can. The service was lightning fast too, a relief for Cassie who was eager to secure our seats at the Westside Theatre.

Seats to see Othello: The Remix, the highlight of the day. If not the entire trip.

Now I freely admit that I’ve never read the tale of Othello, though I did have a basic understanding of its premise. That and the fact it had long given us the phrase, “the beast with two backs.” But the performance dazzled and entertained. The eponymous role was handled by Postell Pringle while Jackson Doran flipped between Cassio and Emilia, all to beats provided by DJ Supernova. And the Q Brothers, who wore many hats as directors, writers and performers; GQ juggling between Rodrigo, Loco Vito and Bianca, while JQ brilliantly portrayed main antagonist Iago.

othello-remixThe timelessness of Shakespeare’s work stems from utterly human themes. You could dial the setting to any time and place and still find the story as meaningful as the day it was written. In this case, Othello is the star of his day: a DJ who rose in the music scene to become the golden man of his record label. But the recruitment of his new best man Cassio enrages front man Iago. And when Othello meets, falls in love and marries off-stage Desdemona, Iago turns his jealousy into an arsenal of lies to undo all Othello has made.

Although the tale is a tragedy, we found ourselves laughing hard and often at the gentle and natural humor. Each performer handled some pinnacle virtue on the stage: if Pringle was the soul and JQ the brains, then Doran and GQ were the humorous heart and swift hands that held the performance high. I could see Disney someday trying to poach this, especially Iago’s villainous musical number which, just like the greatest Disney films, was the best of the performance.

Now when life hits, it hits hardest following triumphs, when we’re on a pillar to knock down. Following the play we ventured to Starbucks for some coffee. And soon after, I realized my wallet was gone.

In all my years, I have been very careful not to lose something so important. And the optimistic half of me, the part that still has faith in humanity, refuses to say it was stolen. Regardless, I took the most prudent measures. After backtracking and confirming we couldn’t find it, I cancelled the credit cards, ordered new ones and had a warning put out. I tried to file a police report on the phone about my license but it proved to be a real pain: you have to go into the precinct station of which the property was lost to fill out a report.

A little research revealed that a lost driver’s license can cause interesting problems. While my credit was fairly secured, the real problem happens if someone presents my driver’s license in case of a ticket or accident. The damages go to my name and the problems compound if ignored. Other than that, the more likely possibility is that some 16 year old is probably making bank buying and reselling liquor to his friends with my ID. If so then kudos to you, you little bastard/entrepreneur.

Anyway, I had done all I could at the time. Back to our travels.

It was getting dark, and was the prime time to go tour the Christmas decorations. Macy’s and other such department stores create wonderful displays in their windows and showcases each year. Although my mood was soured by my misfortune, it was hard not to be moved by the sights. The picture of the mannequin above drew my eye because of its whimsical and creative nature, some mix of innovative madness that I’d expect from Stanley Kubrick in his prime.

I must admit that I lacked foresight regarding one tiny detail of our trip. Perhaps it was all the holiday movies over the years, confusing my sense of how the world really works, but Manhattan’s sidewalks and streets are never so barren and without people. Least of all during what maybe the pinnacle tourist season, and we found ourselves struggling through hundreds of warm bodies just to get a meaningful glimpse of the Rockefeller Center.

treeBut… we succeeded.

We carefully passed the masses, surprised by the number of parents who bothered to bring babies in strollers. But the people there were good-natured and patient, taking moments to gather photos of themselves and loved ones, and then politely moving to allow others to do the same. Or even taking the pictures for them. Below us, crowds whisked across the ice, and we knew better than to entertain the three hour wait to go skating ourselves.

Some clever use of the tunnels allowed us to bypass bustling crosswalks. As we briefly went underground, I quietly wondered just how vertical New York would become in the coming decades. If entire underground plazas would someday be constructed under the surface, making way for more and more people at the cost of sunlight.

I suspect concerns for security would stop such a possibility. If architecture is an enduring physical manifestation of culture, there are those who would turn it against us.

Our final meal for the night was at Oiji in East Village. We managed to sit down earlier than our reservation and pondered the menu for a while. Most of my prior experiences with Korean dishes tended towards the easier lunch affair, especially my favorite: daeji bulgogi, a spicy pulled pork. I would describe Korean food as something between Chinese and Japanese in its main ingredients, but with spice combinations that tend to appeal more to the typical American palette. It can be hot, and many have underestimated the flare of kimchi.

But there’s a lot of familiar flavors under the surface of their dishes.

We began with smoked mackerel and a plate of their signature honey butter chips. The fish was good if a little strong on the nose with the flavors of the sea. I do not normally eat white fish, and dining upon it made me hunger from something tropical and red, such mahi-mahi or ahi tuna. The chips (yes, potato chips) were sweet and I found myself wishing we heeded our waiter and eaten it as a dessert.

We ordered the friend chicken with spicy soy vinaigrette, the jang-jo-rim with buttered rice and a soft boiled egg, and handmade dumplings in white beef broth. With each dish, we found a strange tendency to prefer not the main ingredient, such as the portions of meat, but rather the secondary components. The vinaigrette was more the highlight than the chicken. The buttered rice surpassed the jang-jo-rim’s beef. And while the large dumplings were good it was the broth itself that was great, whose secret ingredient was actually a hint of mussels. I pondered what the chef could do with a vegetarian or pescatarian menu.

As we had one more day ahead of us with a good friend of mine, we decided to call it a night and rest our exhausted feet. Tune in on Monday for the last part.