Yes. I’ve joined them. The ranks of those peculiar tele-vegetarians…
I cut cable.
And I don’t mean I’ve taken Rob Lowe’s now off-the-air advice and gotten Direct TV. I mean my television is now provided by Netflix, Hulu and, to a lesser extent, Amazon Prime. I’m not saying it’s been a perfect transition. I find myself aching to catch the final season of Mad Men, paying to see the very last three episodes of The Americans and reconsidering my choice for when Halt and Catch Fire returns.
The only guys who really monopolize their material is HBO, and even that’s primarily because of Game of Thrones. True Detective might join that list of too-good-to-give-away TV, but its anthological nature can make each season independently hit or miss. It’s going to take some serious work for Colin Farrell, Rachel McAdams and Vince Vaughn to pull together something of the caliber of Matthew McConaughey and Woody Harrelson.
I’m not saying they can’t, but nihilist Rust Cohle has some very big shoes to fill as a complex and deep character. I actually look more forward to True Detective than Game of Thrones, in that with the latter I’ll always have the books. The former? Well, there’s plenty of pulp detective fiction out there, but there’s still nothing quite like it.
Oh yes. And then there’s House of Cards season 3. I got delayed in finishing it by a few weeks, and part of me knew that something was strange when the internet wasn’t quite as abuzz about it. Without spoilers, the season just wasn’t as popping as the previous two. Maybe it was because Frank Underwood’s new position as the president put him on the defensive more, and limited the scope of what he can accomplish for himself. I was delighted that a certain character makes a return, and he adds dimension and intrigue of his own. But Frank seems to be missing his bite, and when he tries to reclaim it, circumstances go badly. The ending was somehow lackluster too. I’m sure things will improve next season but we will see.
Which brings us to the jewel of the day. Marvel’s Daredevil. Relax. I have no spoilers to give away as I’m only four episodes into it. While I’ve seen enough to raise some talking points, the 13 almost-hour installments are a lot to absorb all at once. And to my surprise (and delight), they were considerably more dark than anything I’ve seen Marvel try on the screen. But be forewarned: Someone once said that although the series is darker, it is still supposed to be family friendly.
Whoever said that lied.
Daredevil has moments of gore, a little cussing, and more strongly eludes to sex. If themes were best described in colors, then Batman: The Animated Series is black and light grey, and Dexter is red. Daredevil as a series tends to blend those colors, but also lacks Dexter Morgan’s deadpan narration to lighten the mood and Batman’s resources. In fact, Batman is an interesting comparison in that topically he and Daredevil sound similar (orphans, willingly choose to fight crime, secret identities) but in every detail the two heroes are so unrelated.
If there’s one truth about superheroes that Marvel has acknowledged very well, it’s that they are not going to always be on the same page in terms of power. A God of Thunder or a billionaire in a flying armored suit are going to handle a very different set of worldly problems. Daredevil, aka Matt Murdock, isn’t on their level. In combat, his powers are useful much more conditionally useful. Murdock struggles with street soldiers, and doesn’t always come out on top of his fights. However, Daredevil’s heightened senses make for greater story telling due to the application of his gifts for investigation. And that’s the true strength of Daredevil as a television series over yet another summer blockbuster.
I have to admire a few things about Daredevil as a character. Matt Murdock, curiously enough, is religious. Roman Catholic. It’s a strong trait of his that sets him apart from almost all the other characters in the Marvel universe. He doesn’t seem to go full The Boondock Saints on us, but it sets strong tones that make him unique. He’s also blind, which effects how people treat and react to him. And at least in the original comics, his disability was an interesting, pitying element that strongly influenced his relationships, particularly with his secretary Karen Paige.
There are two factors that bug me. Again, I’m only four episodes into the series, and I get that this is a kind of slow roast, fragmented origin story so there are still things Murdock is trying to figure out. Daredevil has a hard ass attitude to criminals, I understand. But there is truly a devil-may-care attitude when it comes to the risk he poses on their lives. In the comics, the Punisher eventually challenges his morality, and the results don’t paint a clear picture. Batman has rules, and these rules made for an incredible movie. I don’t know whether this is supposed to be a set detail for Daredevil, or if it’s an issue that Murdock is going wrestle with himself over. Scenes suggest that it is, but we’ll see.
The other problem I have is proportion. The directors could seriously cut 60 seconds of action and instead use that minute to let the emotions of some moments sink in a little bit, and the show would be perfect. Most of the series’ violence occurs via fistfights that take a while, and seem to go over some allotment of time of being interesting. It’s Marvel, so there is an expectation of pulpy violence. But a good fight on television should reveal something or change the story in some regard.
There’s quite a bit more I could discuss, particularly Vincent D’Onofrio’s incredible performance as the Kingpin. But I think it’s all something to return to later once I’ve finished the series.