If you fear plot spoilers for The Dark Knight Rises, and yes there is quite a plot to spoil, begone.
I feel the need to wait for a while on my review of The Dark Knight Rises.
There are a few reasons for this. I want the outrage over the shooting in Aurora, Colorado to die down. I also need to see it again.
This movie was my first IMAX experience, and I chose a poor one location for it. The speakers were too loud and distorted Tom Hardy’s Bane voice. The other reason for needing to see it again is its depth. Like most of Nolan’s movies, this one had a tremendous amount of thought behind it, lots of plot twists and strong development.
While I’m capable of giving a review based on what I saw, I walked out of the theater with a wide range of emotions and ideas regarding it. I’ve seen movies I hated the first time and discovered in second viewing weren’t as bad as I first felt. And other movies were “the greatest thing in the world” until the awe wore off.
The movie is certainly worth seeing and I enjoyed myself. I can say that much. But the depth requires a second viewing to appreciate the details, both subtle and obvious.
In the words of Treebeard, “Do not be hasty.”
Are origin stories necessary?
A number of critics have been asking this question after the recent movie, The Amazing Spider-Man. I absolutely appreciate how much different this origin story was from the last. But there were still the tedious elements they felt they had to addressed.
I’m going to skip the long debate and reach for the nuclear device. Episodes I thru III of the Star Wars trilogy. It’s true. Pretty much the first three movies revolve around the origin of the Empire (which was interesting) and the origin of Darth Vader. And while the third movie was a bit redemptive, it was still not a pleasing experience.
Origin stories often followed a similar pattern: A tragic incident, usually involving one’s parents, “drives the hero to good”. It’s been done with Spider-Man, Daredevil, a bit of it was touched upon in Hulk. As much as I love his work, it was reused in Christopher Nolan’s Batman Begins.
It’s also kind of why the origin of Iron Man was so mentionable different than most. Forget the cliched “reason for being a super hero”, Stark had his reason when someone stuck a gun in his face and put shrapnel in his heart. When one becomes a victim of their own carelessness, a dawning sense of responsibility can sometimes take over. Both Iron Man movies were more about Stark cleaning up the results, both indirect and not, of his actions.
Why am I bringing this up? Probably because of the upcoming Dredd movie, a reboot of the terrible Judge Dredd from 1995. According to many critics who have already viewed it, the movie is not an origin story. And so far, their reviews have been pretty good. Another example to chew on is The Dark Knight. Not only did we know nothing of the Joker’s origin, but we were likely fed lies.
You mean, you can make a great comicbook movie without addressing where the hero came from? This concept can be explained through a very simple analogy. Imagine if a stranger came up to you and introduced themself with, “Hello! I’m John Smith.”
Chances are, you’ll forget his name in no time.
Now suppose you see the guy do something more interesting before he introduces himself. Say, he stops a mugger from stealing a lady’s purse. Or he does something impossible, like web slinging his way across the city or turning into a giant green monsters. All of a sudden, the whole question of “Who is this guy?” is way more interesting.
Trust me. Strike up a conversation with a stranger, but don’t tell them your name. If you hit it off, then they’ll be way more interested in knowing who you are.
That’s why there’s a strange, lasting appeal about Judge Dredd. In the comics, he never takes his helmet off, maintaining a mystique about him. They broke that rule in 1995 with Stallone and that didn’t work well for them. But my understanding is that they DON’T break that rule with this upcoming movie.
Imagine that! A movie where you never see the hero’s face. Ever. I have to give Karl Urban kudos for his willingness to stay true to the character. I’d also imagine that, if Peter Jackson ever got the green light for the Halo movie, there would have been Hollywood executives pressuring him to have the Master Chief remove his helmet.
“The hero needs to be sexy!” Some of these guys claim. It’s high time we start asking, “Why? Why do we always need origin stories? Why does the hero have to be sexy?”
And after decades of story writing, comics and development, I’d say time and history are on our side. Maybe it’s time to challenge the status quo a bit. Maybe they don’t know what the hell they’re talking about.
I’ll be seeing The Dark Knight Rises tomorrow… looking incredibly forward to it.
Recent footage of the Batwing from The Dark Knight Rises.
Pew pew! That is all.
Daily Mail has recently posted pictures of Anne Hathaway in what appears to be a much more complete Catwoman costume. Not bad, but how the hell she plans to run in those heels is beyond me.
Oh, also among the pictures are a few of Christian Bale’s Batman and some of the vehicles that will be in the movie. Including a strange contraption they claim will be the Batwing. I’m guessing CG will provide the actual wings.
In other news, several of my compatriots have recently updated their blogs. Sarah Cawkwell posted about Games Day. Good ol’ Raziel4707 talked up a raunchy storm at his blog, while MisterEd discussed Batman in his comic book form. Check them out.
On the writing side of things, still chugging away at updating pieces to submit. I want to get at least one piece finished this week and ready to send into a publisher.
Happy Monday everyone.
So a day ago, Narravitium and I were chatting about the works of Aaron Dembski-Bowden. I mentioned that his book titles Soul Hunter and Blood Reaver made me wonder if they were influenced by the Legacy of Kain game series. Oh no, of course the Night Lords legion aren’t vampires, but they damn well feel like them sometimes.
Still, it’s a stretch of the imagination. But the plus side is that I remembered some damn fine music for writing. So I raided my old game collections to find some ideas. Time for a nostalgic trek.
- Ozar Midrashim, Legacy of Kain: Soul Reaver OST.
I certainly liked the Legacy of Kain series. They were not the best made games technically, but the story was solid and involving and the puzzles were a turn on. I hear rumors, unconfirmed, that a reboot maybe in the works but we shall see. This link is actually both Ozar Midrashim and the ending credit music, but both are quite good. It’s an incredible piece that screams “war against the light” in my mind.
- Artificial Sky, Armored Core 3 OST.
Armored Core is another of my favorite game series and has a faithful cult following. Both my brother and I loved playing it. I like the customizations and the nice multiplayer aspect to it. I await the day that the developers really create an end-all game that is fully networked for co-op and competitions. I may talk about the background of Armored Core in a later blog entry. You may also want to check out Precious Park but it has lyrics.
- Contra Rock-Metal Remix, by Vomitron.
Contra is one of the most beloved of games by testosterone junkies. Imagine a movie with Sylvester Stallone and Arnold Schwarzenegger in their prime, killing alien possessed humans and no limit to the amount of ammunition. And then forget the movie and just turn it into a game, and that is Contra. Sadly, a lot of these old school NES game series have not transitions as well to newer consoles. But someday, someone will do it right. Maybe a game that mixes first and third shooting with side scrolling levels and…
- The Legend of Zelda Orchestrated, by the Boston Symphony Orchestra.
I loved the old school Zelda games. The newer ones took the series in a slightly different direction. That, and they kept pumping them out non-stop. The over-franchising kind of ruined it for me, but I don’t hold it against people who love it anyway.
- Staff Credit, Final Fantasy Tactics OST.
Sigh. I love this song. It reminds me of the challenges I faced, the characters, the story and plot that were deeper than an ocean. It makes me nostalgic for the first game I ever owned on the Playstation and, to this day, one of the greatest games I will ever play. I know, I know, new titles for Final Fantasy Tactics came along, but they just weren’t as incredible from what I played. The direction Square Enix has taken the Final Fantasy series in general has been too goofy for me. But I still have my classics.
- Love Song, Dragon Warrior 2 OST remixed.
Old school as they come, Enix software was the only real competition Squaresoft had in NES RPGs for quite a while. The first game was simple, but they got better, adding parties and abilities and developing better stories and characters. I’m sorry, but you’re going to have to listen to this song.
But thou must!
But thou must!
But thou mu- okay, I’ll stop now.
- Batman Level 1 Remix, by Farmhouse Media.
Sunsoft made a decent platform game when it brought the Batman series to the NES. But the one thing that has stuck with the gamers throughout the years has been the very impressive soundtrack that came with it. Take a hard look at the sheer number of remixes for that game. That, and the fact that he’s the goddamn Batman.
- Megaman X – Storm Eagle Theme Remix, by Chikusho Sound Team.
There are many harder and faster remixes than the one issued by Chikusho Sound Team. But I pulled myself back and reminded myself that the music I’m finding is primarily for writing. If you want something more intense however, check out the Powerglove Remix version.
- Double Dragon theme, by NESkimos.
If there was anyone I’d want to see do a Double Dragon remake, it actually would be Rockstar Games. And I’d want them to reboot the series, adding some moral grey areas that let the player decide between being the good or bad, taking over gangs and the streets or helping people out. And as a result, which of the two brothers you are at the end of the game. The Warriors on PS2 was both my favorite game and one of my favorite movies. That sir, is a remake and franchised game done right.
- Main Theme Orchestrated, Secret of Mana OST.
So too many of my themes have really focused on pumping up their audience. This one is much slower, much more mystical. The game itself was mystical as well, being a 3-player RPG that my buddy Ben and I played throughout our youth. It was a colorful game, a very basic fantasy story. It’s a shame that future titles just did not deliver like the first one, but I’ll never forget the first title.