Anthology Publishing Theory

An idea came to me during the day. My friend sent some flash fiction to edit, which was intended to go between the stories of a new anthology we’re working on.

The flash was great, but diverse. Some were happier endings, some comical. Some were darker. They hit a wide range of emotions in anywhere from a paragraph to a page in length.

As I finished, a thought occurred to me. In my opinion, the grand problem with anthologies is that their nature doesn’t permit them to be page-turners quite like novels can. A story comes to an end, and you say goodbye to the characters, the setting, the events and plot. You have to start something new.

Every tale has an emotional impact associated with it. So when it ends, I suspect that most people shut the book and set it aside to digest the ending. We’ve made some effort in the past to be careful with the order of our tales, trying to keep similar stories apart.

But as I thought about it, what’s the job of a DJ? To come up with a playlist of songs to keep people dancing, to maintain a kind of energy high so people don’t want to leave the dance floor. If the music doesn’t keep up the pace, people start to hit the bar. (And if the music is bad, people leave.)

A flash vignette is tempting however. If the reader sees that there’s a short passage just after a short story has ended, I suspect that they’d want to read it just because it’s so simple and brief. So could there be a way to balance it? If the short story ends on an evil note, could a hopeful and uplifting flash fiction piece help the audience carry onto the next story more readily?

More initial instincts say that the emotions should contrast to find balance. If something is sad, make it happy. If something is depressing, give them hope. If a tale ends with the bad guys winning, have the next piece contain an outlet for the reader’s anger.

Will have to try it…

Book Marketing and the Future

If I have any regrets the last year, it was that I didn’t start using Twitter until very recently.

Fact is, Twitter is a better marketing tool. Brief, to the point, easy to interact with. It can be linked to Facebook. Rather than engaging in “mutually beneficial” friendship arrangements, you simply have followers which you must attract. There are fewer walls and the actual spread of information is way more open, where as Facebook applies an algorithm to reduce clutter on people’s walls (which can filter you out).

Twitter is actually kind of essential for those reasons. Without walls, fans can connect readily with authors and creators. Although one can get in trouble with the platform, there is quite a bit of power to be harnessed if used carefully.

As I move forward with the anthology, I’m also hacking away at other needs to promote it. I’m examining advertising costs on Facebook. But more importantly, I’m looking at various book reviewing bloggers. Although there are “big name” critics out there in the newspapers, these smaller guys often tend to be quite niche, and really hit the reader bases that we’re writing for. In a way, the smaller guys can be a lot more powerful than the big names, because they know what they want.

This is why, despite an age where anyone can publish anything thanks to Amazon, publishing houses are not going away. They have the power to provide advertising and superior editing services. They usually know their market, and can tap top talent if need be. Self published success have occurred and will continue to happen, but there are services that publishers provide that simply aren’t available to the average author.

Business is really all about networking. Knowing the guy who can do what you can’t, knowing the right people for the job. All of us, especially writers, have to be in business for ourselves. And despite potential competitive aspects of business, a lot of it is also about working together.

Speaking of business, I’ve been thinking about what I’ll be doing next year. I’ve mentioned trying a few drafts against Everyday Fiction. But Narrativium will be in charge of the next anthology, Marching Time. Besides that, there will be the Black Library submission window, of which both myself and several of the Boltholers will have our strongest chance next year to be published.

The major question is whether to attempt my first novel, or self-publish an anthology of novellas. The latter is very tempting. My approach to being published has revolved around an “evolving plan” of difficulty. Flash fiction and short stories started it. There has been at least one novella thus far.

An idea is to go ahead and write more novellas, and get used to longer tales before attempting a novel-length story. Length is a major factor. 300 pages is nothing to sneeze at. My approach has really allowed me to gradually increase the difficulty, while building on the skills I’ve learned in the previous steps.

What I learned from short story telling can be applied to novellas. What I learn from novellas could evolve into a novel. Thus far, that idea has been working. While I don’t want to be complacent, this approach is working thus far.

Cover Art of New Anthologies

Babies require a lot of care. Diapers, food, love, it’s quite a bit. But sometimes, you get a special child. Sometimes, you’ll need holy water, fire, sunlight, garlic, silver bullets and girded loins. Cruentus Libri Press is firmly aware of the difficulties such children can be, and thus have concocted an anthology of cautionary tales to prepare the lucky parents of monster babies.

"Aw look at em! He's a coconut this guy..." -Famous Last Words

“Aw look at em! He’s a coconut, this guy…” -Famous Last Words

But wait! There’s more! As if horror tales involving pint sized sociopaths weren’t enough, we can even bring in the family doctor! Also including a story by yours truly!

There's pretty much no healthcare joke I can make that won't anger somebody right now...

On the bright side, your HMOs got this.

Look for both these new anthologies this month!

Recalculating

When it comes to publishing work, I like this pace.

The year is going to end with an explosion of new work. Two pieces are already in the bag for Cruentus Libri Press. Another work, the anthology by the Bolthole, should be out either on time or very close to it. Finally, there is one more piece of work that has been turned in to Cruentus Libri, that has received the thumbs up from two reviewers.

If that final piece gets published, that’s six finished works before 2013.

Although I am pleased, it is a good time to stop, check the map and consider the direction I am taking. All six of these pieces have been horror, which I enjoy writing. I prefer a mix of darker and more subtle horror stories, with a willingness to explore themes rather than enact gore fests.

Many of my friends have also pumped the breaks, declaring that although they are enjoying our work, they do not wish to do horror for the rest of their lives. Rather, their interests are towards varying forms and degrees of science fiction. Myself, recall that I have neglected my dark swords and sorcery tales. They remain untouched since sometime late last spring.

Once the anthology for the Bolthole is complete, a break is due that will probably last until the new year. Although I’ll probably continue to send work to Cruentus Libri, I may start searching for other, non-horror publishers to submit work towards. I’ve tried before and it seems more difficult to try with science fiction or fantasy.

I cannot say why horror seems so oddly forgiving. Perhaps they are just more open to the various definitions of what constitutes horror. But, I feel the need to challenge myself. And that is what I will endeavor to do.

The Scoreboard

My first draft for our anthology is complete, but I have to craft a new draft and make several improvements. It will be an arduous process, but will be more a matter of extending than rewriting. Only one scene (to my knowledge) requires tremendous effort. I also have a few drafts to review.

Aside from this, I have two more stories to work on, both for Cruentus Libri. One is for the surgical anthology, while the other is an extensive rewrite for the War is Hell anth.

In truth, I cannot wait to be free of the Bolthole anthology. Although rewarding and I’m learning a lot, I’m also spending time chasing other writers down, bogged with edits and taking on a horde of other responsibilities that I’ve taken for granted. I have increased respect for the role of editor and publisher.

I’ve been thinking about a certain detail when it comes to awesome action and adventure movies. A little detail I call NITMA, or “Necessity is the mother of awesome.”

See, what I love and can’t get enough of in games and books and movies are these one-of-a-kind situations. I’m not talking about something as grand as, “Save the world” but wild moments you don’t do again.

For example, in the original Metal Gear Solid, there was the torture scene and the rappelling game. Gears of War had an interesting segment where you looked for light sources in order to ward off the bat like creatures that ate your flesh. In Dead Space 2 when Isaac launches himself towards the Sprawl and you have to guide him through space. Or in The Legend of Zelda: A Link to the Past where you had to try and figure your way around the other world, despite being changed into a rabbit and cannot defend yourself.

When you think about that formula, is it any wonder how the Avengers did so well? You have several fleshed out heroes, each of which had their own movie. And the sheer impact of what was happening forced them to work together. So unorthodox, so out of the ordinary from the usual super hero stuff, it’s no wonder it took third place on the highest grossing movie list.

What makes these moments so amazing and huge is the fact that they cannot be easily reproduced. That your character was so desperate that they were forced to do something unexpected and dangerous and you get to control them through it. I don’t want to watch a cut scene where my characters straddles a bomb on its way down! I want to actively guide the bomb! Just like in Dr. Strangelove.

I suddenly realize that this was kind of what made games like Final Fantasy XI so popular years after. Events. Events with friends. We stuck together through rough Burning Circle Notorious Monsters and garrison events. We hung together during the invasion of Aht Urghan. There was so much end game stuff, it’s no wonder people clung to the game years after its release.

Unforgettable events are where it’s at. That’s the wild ride we should be looking to build in our movies, games and books.

“Welcome to Hell” Now Buy My Book!

Gun in my pocket or happy to see you? Well, kinda both actually...

Gun in my pocket or happy to see you? Well, kinda both actually…

First, the bad news. Welcome to Hell, edited by Eric S. Brown, contains no sexy pictures of me. I haggled with Brown about this for as long as I could, but we just couldn’t come to an agreement.

On the plus side, it does contain lots of western horror stories by some fabulous writers.  I know, I know. You’re disappointed about the pictures. But while I’m a relative newcomers to the writing arena, there are some horror veterans among the authors of this anthology, including Gina Ranalli, Aaron J. French, Max Booth III and more.

So check it out if you’re into westerns or classical horror monsters. Or just read my story. Up to you.