The Scoreboard

My first draft for our anthology is complete, but I have to craft a new draft and make several improvements. It will be an ardorous process, but will be more a matter of extending than rewriting. Only one scene (to my knowledge) requires tremendous effort. I also have a few drafts to review.

Aside from this, I have two more stories to work on, both for Cruentus Libri. One is for the surgical anthology, while the other is an extensive rewrite for the ‘War is Hell’ anth.

In truth, I cannot wait to be free of the Bolthole anthology. Although rewarding and I’m learning a lot, I’m also spending time chasing other writers down, bogged with edits and taking on a horde of other responsibilities that I’ve taken for granted. I have increased respect for the role of editor and publisher.

I’ve been thinking about a certain detail when it comes to awesome action and adventure movies. A little detail I call NITMA, or “Necessity is the mother of awesome.”

See, what I love and can’t get enough of in games and books and movies are these one-of-a-kind situations. I’m not talking about something as grand as, “Save the world” but wild moments you don’t do again.

For example, in the original Metal Gear Solid, there was the torture scene and the rappling game. Gears of War had an interesting segment where you looked for light sources in order to ward off the bat like creatures that ate your flesh. In Dead Space 2 when Isaac launches himself towards the Sprawl and you have to guide him through space. Or in The Legend of Zelda: A Link to the Past where you had to try and figure your way around the other world, despite being changed into a rabbit and cannot defend yourself.

When you think about that formula, is it any wonder how the Avengers did so well? You have several fleshed out heroses, each of which had their own movie. And the sheer impact of what was happening forced them to work together. So unorthodox, so out of the ordinary from the usual super hero stuff, it’s no wonder it took third place on the highest grossing movie list.

What makes these moments so amazing and huge is the fact that they cannot be easily reproduced. That your character was so desperate that they were forced to do something unexpected and dangerous and you get to control them through it. I don’t want to watch a cut scene where my characters stradles a bomb on its way down! I want to actively guide the bomb! Just like in Dr. Strangelove.

I suddenly realize that this was kind of what made games like Final Fantasy XI so popular years after. Events. Events with friends. We stuck together through rough Burning Circle Notorious Monsters and garrison events. We hung together during the invasion of Aht Urghan. There was so much end game stuff, it’s no wonder people clung to the game years after its release.

Unforgettable events are where it’s at. That’s the wild ride we should be looking to build in our movies, games and books.

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And Rejection

Yesterday, I received my first rejection letter.

I’m sure many are to come. But what surprised me was the speed of which I received it. I had submitted that particularly sci fi story only a few days before and I was used to seeing warnings to the tune of 5 weeks, 60 to 90 day periods, so on. The haste of this rejection was clear: This is not what we’re looking for in the least.

Well, after my shock wore off I found another published who seemed a few degrees more open to the concept of my story and submitted it there. But as I looked over my portfolio of finished works, I accept that I have to establish a good pace of writing, editing and submitting (this takes time too, because you can to come up with a cover letter, make sure that your submission fits their criteria, etc).

Hey, Dead Space 2 is down to $20 on Steam. Temptations abound…