Clappin’ the Book Slappers

If you have this thing called the interweb, you may have been exposed to virulent contagions known as “memes.” To date, the CDC has no known procedure for handling exposure to these infectious buggers, but one particular strain is on my mind.

Book slappers.

Yes, book slappers. The fictitious job in which a literary snob would strike a movie director with a printed novel, or perhaps a very durable e-reader, for the audacity of possessing creativity. As if movie studios exist for the express purpose of selling novels. Because many claim “the book is always better than the movie.”

Is it really? Are books always better than movies? Or are we justifying the many hours a novel requires against the runtime of a full-length film? Not unlike how we merely think expensive wines taste better?

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“Under the Knife” Available Now!

There's pretty much no healthcare joke I can make that won't anger somebody right now...

There’s no time for a second opinion! We must order now!

My life has been a whirlwind of work, work and more work. The job has been hard but rewarding, and the writing has been tough.

But there have been some developments for on the writing. I wrote a few good tales and am working on another two. I’d like to finish the month with three flash pieces. I foresee a writing break for half the month of June.

But there’s one really important tidbit. At long last, it’s finally out. Under the Knife from Cruentus Libri Press is finally out. Click on the picture to order!

Also available for Kindle.

Book Marketing and the Future

If I have any regrets the last year, it was that I didn’t start using Twitter until very recently.

Fact is, Twitter is a better marketing tool. Brief, to the point, easy to interact with. It can be linked to Facebook. Rather than engaging in “mutually beneficial” friendship arrangements, you simply have followers which you must attract. There are fewer walls and the actual spread of information is way more open, where as Facebook applies an algorithm to reduce clutter on people’s walls (which can filter you out).

Twitter is actually kind of essential for those reasons. Without walls, fans can connect readily with authors and creators. Although one can get in trouble with the platform, there is quite a bit of power to be harnessed if used carefully.

As I move forward with the anthology, I’m also hacking away at other needs to promote it. I’m examining advertising costs on Facebook. But more importantly, I’m looking at various book reviewing bloggers. Although there are “big name” critics out there in the newspapers, these smaller guys often tend to be quite niche, and really hit the reader bases that we’re writing for. In a way, the smaller guys can be a lot more powerful than the big names, because they know what they want.

This is why, despite an age where anyone can publish anything thanks to Amazon, publishing houses are not going away. They have the power to provide advertising and superior editing services. They usually know their market, and can tap top talent if need be. Self published success have occurred and will continue to happen, but there are services that publishers provide that simply aren’t available to the average author.

Business is really all about networking. Knowing the guy who can do what you can’t, knowing the right people for the job. All of us, especially writers, have to be in business for ourselves. And despite potential competitive aspects of business, a lot of it is also about working together.

Speaking of business, I’ve been thinking about what I’ll be doing next year. I’ve mentioned trying a few drafts against Everyday Fiction. But Narrativium will be in charge of the next anthology, Marching Time. Besides that, there will be the Black Library submission window, of which both myself and several of the Boltholers will have our strongest chance next year to be published.

The major question is whether to attempt my first novel, or self-publish an anthology of novellas. The latter is very tempting. My approach to being published has revolved around an “evolving plan” of difficulty. Flash fiction and short stories started it. There has been at least one novella thus far.

An idea is to go ahead and write more novellas, and get used to longer tales before attempting a novel-length story. Length is a major factor. 300 pages is nothing to sneeze at. My approach has really allowed me to gradually increase the difficulty, while building on the skills I’ve learned in the previous steps.

What I learned from short story telling can be applied to novellas. What I learn from novellas could evolve into a novel. Thus far, that idea has been working. While I don’t want to be complacent, this approach is working thus far.