So last Tuesday, Dan came over and we bottled up the mead pitch that finished fermenting. It had been sitting a month and it’ll be another six at least until it’s ready for tasting. The smell was so powerful… the sheer alcoholic content dizzying. And it isn’t anything special either, just six pounds of Safeway brand honey and water with Kolsch yeast. Nothing else. We’re not even carbonating it, as I want to drink it in the traditional manner. It should be ready just in time for birthday-packed November.
As I set to work, my interest in viking culture flared again, enough that I decided to later sit down and watch a single, mid-stream episode of the History Channel’s Vikings. I managed to get fifteen minutes into it before turning it off, with the intention of watching it from the beginning later. I just wanted to take a measure of the series first, and the taste I took suggested a slower historic drama piece that mixes Game of Thrones with the characterization and story telling pace of Breaking Bad.
What’s interesting to me is that this is another example of cable television jumping on the historical drama bandwagon. They won’t jump into the violence and sex that HBO or Showtime can pull off, so they instead invest in story telling in the past, just as with Downton Abbey. (Another fine show I’ve fallen behind on…) And it’s not hard to imagine the value of it. While no one should expect a hard history lesson, these shows do convey a sense of cultures of antiquity.
Television, as a medium for story telling, has grown again in the last couple of years. Our last TV renaissance brought us great shows like The Wire, The Sopranos and Battlestar Galactica. A lot of that era was brought to us by HBO. These days, we’re seeing great shows come from very unlikely sources. AMC alone brought a handful of great shows out. PBS and the History Channel, of all people, each have one great show worth watching. I don’t watch Scandal regularly but I do respect that it’s a good show. And now Netflix is changing the game, bringing back shows thought dead like Arrested Development and The Killing, whenever they’re not blowing our minds with original series like House of Cards.
It’s not hard to wonder why. In the past, television actors have tended to be less skilled than their movie counterparts, with a few talented individuals who managed to find work in the multimillion dollar roles later. These days, the stigma of being a television actor are gone, as Kevin Spacey and Robin Wright play the Underwoods and Matthew McConaughey and Woody Harrelson shock us with True Detective.
I suppose one reason for this is simply because television, at least as of late, tends to allow for internal promotions as an actor becomes central to a show.
If you take a look at opening credits in later episodes, it’s very common to see one of the main actors being listed as an executive producer, likely working to develop their own characters and some of the scripts. There is likely creative growth there, as power slowly shifts from the director to the actor. Directors frequently shift and share their positions on television, but the actors are seldom replaceable, recasting being a caution inducing move even between movie sequels. This credit can be very valuable as a means to pave the way into becoming a regular producer of future projects.
The downside I feel is that television, unlike a movie, can be really be difficult to keep up with as a pop culture topic. All you need to do is sit down for two hours and you’re caught up on the latest movie. Television frequently takes six to thirteen hours per season. If you choose the wrong television series to invest in, your friends might go on talking about season 3 of some series you haven’t even tried. As more great television comes out, it gets more and more difficult to keep up with it all. It’s even worse when you have someone you want to share television with and they’re not interested, or they’re behind.
I don’t think the good TV train is going to stop for a while, making it all the more easy to lost in it.