I received an invitation from Alec McQuay to answer a selection of questions about my current writing workload. Behold the horror…
What is your working title of your book?
There’s actually a couple of projects I’m working on. I’m just sticking to short stories because it’s easier to finish up. I may start my first novel next year.
But for the time being, I’m working on a short story for Narrativium’s Marching Time anthology, simply titled Ragnarok for now. I am also pitching two new stories to Cruentus Libri Press. I can’t tell you about the new one I’m hacking away at, but the latest submission is a horror piece set in World War I, between the French and Germans.
Where did the idea come from for these stories?
For the Marching Time piece, I really can’t remember. No one had called out vikings, so I decided to do that. But then somewhere, I got this idea about how to make it a hero epic piece. For some reason, I really relished the chance to do the olde tyme thick epic, so I got started.
As for the WWI piece, that took considerable evolution. It originally began as an alternate history horror piece set in WWII. America was invaded by a hodge podge army of zombies. I can’t tell you more, but there was more depth to the tale than endless and pointless fighting. This WWII was started for a different publisher, but I changed my mind towards the end and wrote a mad scientist piece set during the storms of Dustbowl. It was a slow, building story that wasn’t particularly pulpy.
After the mad scientist piece was rejected, I returned to the original idea. During this time, I was getting ready for a trip to England, and was brushing up on my French and German with a girl who knew both. Somehow, this inspired me to try a WWI story, with several twists on the original tale. The zombies were removed, but I added a different foe. It’s called On Ne Passé Pas! but that title is subject to change.
What genre does your book fall under?
For the Marching Time piece, there are elements of sci fi and medieval style war in it. I tie large, important themes of Norse mythology into it, but I must remind the reader that during the Viking age, this was a religion and a few concepts of faith. All of this is very central to the story.
My other stories are primarily horror. Horror has been a great starting niche because it generally gives a lot of freedom, and horror literature lovers by no means expect feel good endings. But horror by itself isn’t a great genre. The best horror tends to blend itself with another genre. Horror fantasy (Berserk), horror crime, so on. A really important thing to remember when writing horror is that the horror elements should be hinted at or introduced early. Readers do not like last minute genre-bending, like Steven Spielberg’s A.I. They hate it, and I’m no fan myself.
Which actors would you choose to play your characters in a movie rendition?
I’ve given no thought whatsoever to who I’d want to play my character for the Marching Time story. I would be open to no name actors, particularly from Swedish cinema. A few Swedish movies and shows have started making their way to the states, either original or remade. And they’re pretty good!
As for the WWI piece, this is going to blow your mind. I’d be open to having Sacha Baron Cohen for the lead role. I know, I know. You probably know him for his low brow comedies, like Borat, The Dictator and Brüno. But he’s also done somewhat more serious roles, like Hugo. And he has a part in the upcoming Les Misérables that I’m looking forward too. Sometimes, certain comedians are actually outstanding actors underneath the comedy mask, like John Leguizamo.
What is the one-sentence synopsis of your book?
Ragnarok: When the gods march to their doom, for whom will you fight?
On Ne Passé Pas!: They have surrendered in droves to escape their own country…
Will your book be self-published or represented by an agency?
Ragnarok: To be honest, neither really describes it. It is technically self-published, but it was a large, group effort by just under a dozen talented individuals. It’s our first effort together and I really hope we can do it again soon. Just like The Black Wind’s Whispers.
On Ne Passé Pas!: If Cruentus Libri Press accepts it, they will. If not, I may put it on the back burner and figure out what to do with it later.
How long did it take you to write the first draft of your manuscript?
For the MT anth, it’s still being worked on. The writing is thick and requires considerable care. For the other story, that is debatable. Its first real draft took only a week, but the idea evolved over several previous iterations over the course of six months.
What other books would you compare this story to within your genre?
Beowulf comes to mind for Ragnarok. The plot, I’m trying to think if and where it has been borrowed before. Probably from elements of historical acts involving religion.
For On Ne Passé Pas!, I really wanted to draw inspiration from the movie All Quiet on the Western Front. But there was a lack of trench warfare to it. I’d say more came from The Dirty Dozen.
Who or what inspired you to write this book?
For Ragnarok, it might have been Dan Abnett with the 40k book, Prospero Burns. The Space Wolves, a group in the 40k universe, have been stereotyped as barbarians, but there’s more to them than that. Real life vikings, on whom the Space Wolves are based upon, have many similar misconceptions and falsehoods about them. I don’t know how much of an eye opener Ragnarok is going to be, but if I can set the records straight on a few historic facts, I will.
On Ne Passé Pas! was inspired by a woman who has helped me with my French and German, and a dash from my high school history teacher. Who, according to other students, was certifiable.
What else about your book might pique the reader’s interest?
Because I’m not in charge of these books overall, I’m really not sure yet. I’m helping as an editor for Marching Time, so when first drafts start pouring in, I’ll have a better answer.
Here are a few other author’s (and links to their blogs) you should watch carefully.