Okay, so my eye is feeling a bit better but I’m still going to hold off on the review. So instead, here are 10 more music pieces for writing. 10 more, you may ask? If you have not seen it, then allow me to direct you to the original 20 musical pieces post.
However, this post is a bit melancholy because I had just discovered that Gary Moore, a talented guitarist and singer from the UK, died of a heart attack earlier this year. Many people have not heard of the skilled musician and his amazing blues, but I had been listening to his music since before his death in February, 2011. For a lyrical taste of his work, check out Over the Hills and Far Away.
A quick note. This particular set of songs takes more from games than before. It’s easier to pick music from game sound tracks than it is from movies. The downside is that game sound tracks rarely show up on sites like Pandora.
- Cloud’s Theme, Final Fantasy VII Orchestral Soundtrack.
It’s a strange theme that mixes hope with hopeless, and something on the lighter side with darker undertones. This song could work well for a overture of your piece.
- Doom 3 Theme, by Tweaker.
Explosive piece that threatens something menacing until it just bursts into combative guitar and drumming, mixed with eerie vocal sound effects.
- Pandora’s Music Box, by Nox Arcana.
Nox Arcana is an incredibly reliable source of subtle, creepy music sans vocals. Adding this music to any scene instantly turns it into horror material just because of its gentle yet eldritch nature.
- Underworld Domain, by Dargaard.
A piece that is so pure, it was perfectly named. Unfortunately, this piece breaks the no lyrics rule, but given how well the singer blends her voice with the music, I’m making an exception.
- Wilderness, Diablo II OST.
I love the Diablo series, and despite becoming slightly more cartoonish than it’s previous incarnations, I am still looking forward to Diablo III. Here’s a piece from the second installment. Stay a while and listen!
- Arkham Bridge, Mechwarrior 2 OST.
I used to be a huge, huge Mechwarrior and Battletech fan. As I got older however, I grew out of it. It wasn’t deep enough for me, just a constant mix of politics and warfare. That and I met one of the authors and wasn’t impressed with their attitude. If you don’t care for your fans, they’ll soon not care about you. Still, good music. You may also want to check out Umber Wall.
- Bloody Tears, Castlevania: Symphony of the Night OC Remix.
Okay, I seriously believe that ‘Bloody Tears’ may just be the single most remixed game music of all time. There are dozens of versions, from classical pieces to piano solos, heavy metal jams to DJ dance mixes. The original piece started from the NES game Castlevania II: Simon’s Quest, and was updated in later titles. Here’s an acoustic guitar version, a violin version and the version from Castlevania: Symphony of the Night.
- Theology/Civilization, by Basil Poledorius.
Straight from the original (as in, 1982) Conan the Barbarian, this ponderous piece is slow and mixes renaissance touches with classical music. I admit that this is not one of my favorite pieces of music, but I suspect that others will enjoy this for its lighter notations. It can’t rain all the time.
- Murder, by Susumu Hirasawa.
I honestly don’t watch much anime or read much manga anymore. But there is still one series I go out of my way to read, and that is Berserk by Kentaro Miura. Beautifully animated, beautifully told, I cannot stress how amazing is Berserk. This piece just keeps growing and growing in madness…
- The Loner, by Gary Moore.
A non-lyrical piece by Moore, the original version of The Loner is 6 minutes long and takes a minute to warm up appropriately. However, compared to other versions, the guitar isn’t as distracting, but communicates its sorrowful melody well. To be honest, a chance to apply this to writing would be very difficult because it’s sad but also not slow. It may work well if a character is fondly recalling a person who has passed on. Rest in peace, Mr. Moore. You will be missed.